Bob Ezrin has worked with some of the most talented and — let’s be honest — some of the biggest jerks in music history. He produced Pink Floyd’s “The Wall” at the height of Floyd lyricist Roger Waters’ megalomania and control over the band. He produced Lou Reed’s “Berlin,” and history has shown that Reed was no picnic to deal with. He also produced Kiss’ “Destroyer,” a band with a long, rich history of douchebaggery.
But nothing could prepare the man for the tidal wave of insanity that is Kanye West.
Ezrin penned an opinion piece on West, stating “in spite of what the aspirationally-cool media keeps saying about him, unlike other creators in his genre like Jay-Z, Tupac, Biggie or even M.C. Hammer for that matter, it’s unlikely that we’ll be quoting too many of Kanye’s songs 20 years from now.” Ezrin goes on to say “In my opinion, his productions are his best work – and I admit I’m jealous of several of them – but I don’t think he’s on quite the same level as Timbaland and Rick Rubin among several others. His songwriting – meaning the stuff with melodies – is sophomoric at best.”
And much like a brutal winter wind that grows with rage, tearing down everything in its cold and deadly path, Kanye took to Twitter.
https://twitter.com/kanyewest/status/702352351118696448
https://twitter.com/kanyewest/status/702352437697507328
https://twitter.com/kanyewest/status/702352830917648384
https://twitter.com/kanyewest/status/702352969954684928
Then it got weirdly and unnecessarily personal.
https://twitter.com/kanyewest/status/702353178076037122
https://twitter.com/kanyewest/status/702353418527105024
Then he wandered back to music.
https://twitter.com/kanyewest/status/702353553084571649
https://twitter.com/kanyewest/status/702353651621347328
https://twitter.com/kanyewest/status/702353809880850433
https://twitter.com/kanyewest/status/702353899852845056
Then personal again.
https://twitter.com/kanyewest/status/702354151423025152
Kanye West, again, is the gift that keeps on giving.